这种定位通过纪录片创作得以深化。剪辑陷入瓶颈时，他的导师提供了颠覆性的建议：关掉所有画面，只聆听采访录音，两个月内不看影像。这对习惯于视觉思维的创作者而言，无异于一次“信仰的飞跃”。他照做了，两个月里，他只面对亲人们的声音。那些用粤语、英语讲述的，充满情感风暴、时常跳跃、夹杂着痛苦与怨愤的叙述，动荡时期的恐惧、逃亡路上的艰辛、家庭内部的委屈，所有这些情绪，剥离了画面的修饰，以最直接的声音形式冲击着他。
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In Scream 7, Williamson and his co-writers offer a collection of kids who are spirited, funny, quirky, and creepy. They are distinctive and not casually disposed of, but are brutally killed. This reflects the first film, which didn't take itself that seriously. As the franchise switched hands to directors Matt Bettinelli-Olpin and Tyler Gillett with Scream 5 and 6, the new heroine's (Melissa Barrera) brooding over being the offspring of Billy Loomis dragged the franchise into a suffocatingly grim terrain.
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